Artists. Don't Ever Lose Your Ability to Infect Another With Your Sincerity (art).

“Art is what you give up,” 
 “Art is what you give up,”
 “Art is what you give up,”
 “Art is what you give up,”
 “Art is what you give up,”
 “Art is what you give up,”
 “Art is what you give up,”
 “Art is what you give up,”
“Art is what you give up,” he says, “if you’re trying to hold on to cash.”
~SALIF DIABAGATÉ

Thus, so, was africa INDEPENDENCED



"Whites reasoned that even if Africans had once had entitlement to themselves as free people, such entitlement did not extend to slaves born and raised in white families-persons never free, raised at the "expense" of their owners.  But this reasoning implied that emancipating one's slaves conferred freedom upon them as a gift to which they were at best theoretically but never actually entitled.  And in the view of most whites, since even the act of being freed represented the exercise of the owner's power over the slave, an emancipated slave could never become a "free" person but only a "freed" one- a person acted upon, not acting."
~Disowning Slavery: Gradual Emancipation and "Race" in New England, 1780-1860, Joanne Pope Melish

Pictures Speak 172,000 Words (click image for hi-rez)




















Pictures Speak 172,000 Words (click on image for hi-rez)

















Think For Yourself


I was flying on a plan from Algiers to Geneva about four weeks ago, with two other Americans.  both of them were white-one was a male, the other was a female.  And after we had flown together for about forty minutes, the lady turned to me and asked me-she had looked at my briefcase and saw the initials M and X-and she said, "I would like to ask you a question.  What kind of last name could you have that begins with X?"
   So I told her, "That's it: X."
   She was quiet for a little while.  For about ten minutes she was quiet.  She hadn't been quiet at all up to then, you know.  And then finally she turned and she said, "Well, what's your first name?"
   I said, "Malcolm."
   She was quiet for about ten more minutes.  Then she turned and she said, "Well, you're not Malcolm X?" [Laughter]
  But the reason she asked that question was, she had gotten from the press, and from things that she had heard and read, she was looking for something different, or for someone different.
   The reason I take time to tell you this is, one of the first things I think young people, especially nowadays, should learn how to do is see for yourself and listen for yourself and think for yourself.  Then you can come to an intelligent decision for yourself.  But if you form the habit of going by what you hear others say about someone, or going by what others think about someone, instead of going and searching that thing out for yourself and seeing for yourself, you'll be walking west when you think you're going east, and you'll be walking east when you think you're going west.  So this generation, especially of our people, have a burden upon themselves, more so than at any other time in history.  The most important thing we can learn how to do today is think for ourselves.
~Malcolm X

Tired

Tired
I am tired of work, I am tired of building up somebody else's civilization.
Let us take a rest, M'Lissy Jane.
I will go down to the Last Chance Saloon, drink a gallon or two of gin, shoot
   a game or two of dice and sleep the rest of the night on one of Mike's
   barrels.
You will let the old shanty go to rot, the white people's clothes turn to dust,
   and the Calvary Baptist Church sink to the bottomless pit.
You will spend your days forgetting you married me and your nights hunting
   the warm gin Mike serves the ladies in the rear of the Last Chance Saloon.
Throw the children into the river, civilization has given us too many.
It is better to die than to grow up and find that you are colored.
Pluck the stars out of the heavens.  The stars mark our destiny.  The stars
   marked my destiny.
I am tired of civilization.
~Fenton Johnson

It Is Justice? (cudgel convictions and the poorly whitened)



   One day, the Black seized hold of the White’s neck-tie, grabbed a bowler hat, dressed up in them, and left laughing . . .
It was only a game, but the Black did not let himself take it as a game. He became so accustomed to the neck-tie and the bowler hat that he ended up believing he had always worn them. He made fun of those who didn’t wear them at all and disowned his father whose name is Spirit of the Bush . . . This is a bit of the history of the pre-war Negro, who is only the Negro before reason. He sits down at the school of the Whites. He wants to be “assimilated.”
  I would gladly say that it is madness, if I didn’t remember that, in a certain sense, the madman is always “the man who has faith in himself,” and because of that saves himself from madness.
   If assimilation is not madness, it is certainly foolishness. To want to be assimilated is to forget that nothing can change animal nature. It is to misunderstand “otherness,” which is a law of Nature.
   This is so true that the People, elder brothers of Nature, warn us of it
every day: A decree says to the Blacks: “You are similar to the Whites. You are assimilated.”
   The People, wiser than the decree because they follow Nature, shout to us: “Begone! You are different than us! You are only aliens and negroes.” They deride the “Black man with a bowler,” bully the “poorly whitened,” and bludgeon the “negro.”
   I confess that it is justice, though unfortunate for the one who needs to be convinced by means of a cudgel that he can only be himself.
~from Negreries: Black Youth and Assimilation, by Aime Cesaire

put my foot in it



For Sure
For sure I’ll get fed up
without even waiting
for things to ripen
like a good camembert
So until then I’ll just go
and put my foot in it
or grab by the collar
everything I can’t stand
In capital letters:
colonization
civilization
assimilation
and all that
Meanwhile
you’ll often hear me
slam the door
~from Pigments by Léon-Gontran Damas, translated by Franklin Rosemont 

the step beyond HIStory



Surrealism and Black African Art
The surrealist aspects of the African way of life, as well as the African implications of surrealism, have tended to be ignored for reasons already touched on.  Instead of the alienating dualistic intellectualization that usually defines the headlines of European social practice, black Africans enjoyed the presence of the practice of poetry throughout the totality of their traditional social life. In Africa, that is, the living experience of surreality has since prehistoric times enjoyed supremacy over its theoretical justification. In the Western world, however, surrealism is the result of a long philosophical, political, scientific and poetic struggle to recover what the traditional African has never lost.  A gainst all forms of indifference and misery, surrealism and black African art  remain irreducible examples in the development of the complete unfettering of the mind. Surrealism and black African art show that History’s last step—the step beyond History—coincides with a return to first principles, which is also a return to primordial glory, involving nothing less than the systematic and definitive liberation of the whole of human society and of Nature itself.
~Cheikh Tidiane Sylla
Arsenal/Surrealist Subversion, no. 4 (1989) (original emphasis)